How We're Creating 20 Pieces of Content a Week

Happy Monday, 

I hope you had a great Easter weekend! You probably realized you didn't get an email from me last week. I took some of my own advice and took a much needed break. I straight binge-watched hours of the WeCrashed show about WeWork on Apple TV and then The Dropout about Elizabeth Holmes. If you ever felt like you were dealing with "imposter syndrome" watching one of these shows will sure make you feel better about your life. If you're reading this for the first time do me a favor and hit subscribe right here. I promise you won't regret it. 

So first and foremost, I just got the sickest website audit back from Oddit. If you don't know what Oddit is, essentially they will rip apart your website, give you incredible feedback and best in class solutions that work for the world's best converting brands. The coolest part is that I sent over their like 10 pages of changes to my developer and they quoted me less than $800. It's on thing to get advice, it's another when it's unrealistic and you're like yah there's no shot I'm spending $10,000 on this right now. 

Reply back to this email and I'll share with you the Oddit audit. I guarantee there will be a lot changes that you'll see and be like damn that would be perfect for my site. 

So let's get into this week's send. I got some crazy news earlier this week that my guy Joel Padron, our head of performance for the past two years is moving on to a new job at Homestead agency. I couldn't be more stoked for my guy and as a boss all I can ask for is that my employees go on to better positions, be happier, and make more money and this is 100% happening. However, the dude's now making me work harder than ever to pick up the slack so I've been working with the team to keep accelerating our sell-through velocity on DTC & retail. Today's main concept below. 

How were turning around 20 pieces of content a week with a 3 person creative team?

First ask yourself, what do you need in-house vs. outsourcing?

We’re all about keeping things lean here at CROSSNET but there are just some areas you need to bring in-house, rather than pinching pennies and outsourcing when it comes to building an effective marketing team. We’ve become extremely efficient by keeping our creative in-house and delegating our paid marketing to agencies and allowing in-house directors to oversee their work. Here is the current CROSSNET in-house structure. 

  • Director of Brand Marketing - This role wears many hats and we’ve luckily got an employee who can wear them well. Our Director of Brand acts as a creative director and project manager while ensuring communications within all departments are up to the brand's standards. She oversees the entire in house creative team, all freelances, email agency, and aspects of our paid social agency.

  • Senior Designer - Does our more design-heavy work: such as billboards, sizzle reels, and retail packaging.

  • Junior Designer - Handles our paid ads, organic social and assists in creating marketing collateral for sales, and our internal team.

  • Freelance- hired at a need basis for one-off creative tasks.

Outsourced:

Email Marketing

We've been using Structured Social headed up by the legends David Bozin & Chase Dimond for almost three years now. Honestly they are the only agency I haven't fired and have been nothing but amazing each and every week.  Our creative director is in charge of reviewing the emails, ensuring brand tone & voice, and lining the sends up with our monthly campaigns.

Performance Marketing

We meet weekly with the team over at Advisory Marketing that specializes in performance & creative marketing for brands with mass distribution like CROSSNET. Our head director of brand and yours truly join weekly calls to review KPIS, ROAS targets, areas we are underperforming, and new creative assets needed. From those meetings we may need to turn around 3-5 new assets in time for our follow up call the next week.

Scrappy Grinders

This is my term of endearment I’ve coined for many of our first hires. People who, regardless of title and experience, are willing to roll up their sleeves and do the dirty work. Our creative team works so well because there aren’t afraid to get their hands dirty. I know I'm not going to get a nasty email back from my senior designer when I ask him to resize a photo when our junior designer is busy. Our creative director sometimes writes our ad copy to keep costs low and ensure messaging is consistent. At the startup stage everybody you hire needs to know they aren't above grinding it out and doing the dirty work. Chemistry starts to get fucked up when you have people who feel like certain tasks are below their payscale. It's really important to simply hire people you trust to get something done. People who don’t need their hands held and individuals you know that are doing all they can to get things done behind the scenes.

Creative Process

I had no idea how much goes into this process until my creative director sat me down and yelled at me for Slacking her 10,000 requests with no timelines. Luckily, our creative director has created a seamless process that keeps our entire operation efficient and organized. Need a process? I’ve included ours in the steps below.

1. To keep us running full speed we utilize Basecamp, Dropbox, and Slack. When a task is needed, an employee will create a brief on Basecamp and tag our creative director. Our creative director will then make sure the brief contains all necessary info and tag the appropriate designer.

2. Once the designer has completed the task, the designer uploads the creative to Dropbox as a Version 1, and posts that link in Basecamp tagging the necessary parties & the approvers. The designer will then post the Basecamp link containing that creative into our creative-approvals Slack channel to give the approvers an extra nudge and ensure it’s seen in a timely fashion.

3. The approvers will then provide feedback, post it in Basecamp, and tag the designers back in Slack letting them know the changes or status of the project. Once approved the designer posts the final Dropbox link in Basecamp and the creative director marks off the project as complete.

4. Dropbox also makes sure all our creative is stored in a single place. We organize ours by the department and within each department, there are subfolders for different types of projects, products, photoshoots, etc. If your Dropbox is a mess, which I'm sure it is, start there and start cleaning up. You will create at such a better speed once this is fixed. Create a system that works for your company and ensure all pieces are named using a descriptive naming convention.

5. Posting the finals in Basecamp also help keep us organized as well, if someone can’t find it in Dropbox, they can always refer back to the Basecamp project and see it in the comments. Seamless and effortless!

As always I hope this helps! Send me an email back if you'd like to see the Oddit website teardown or if you have any questions you'd like answered. I'm going to do a little Q&A for a send later this week. I also have one more consulting slot available for May, so if you want it, you know where to find me. Hopefully I'll see some of you at Coachella this weekend!

See you soon,

Chris